Login to Use StampAuctionNetwork. New Member? Click "Register".
StampAuctionNetwork Extended Features
StampAuctionNetwork Channels
Extended Features
Visit the following Auction Calendars:
Help:
More Useful Information:
Newsletter:
For Auction Firms:
Search for comparables at SiegelAuctions.com
Get Market Data for [United States 219-E1]
Get Market Data for [United States 219-E3]
VERY FINE. THE UNIQUE HAND-DRAWN WATERCOLOR COMPOSITE ESSAY FOR THE ONE-CENT 1890 SMALL BANK NOTE ISSUE, SHOWING A RADICALLY DIFFERENT STYLE OF FRAME. AN IMPORTANT ESSAY.
The new series continued the theme of Franklin for the 1c stamp -- a portrait of Franklin was the subject of every 1c stamp starting in 1851, including the 1869 Pictorial Issue. This watercolor frame is a significant departure from the one eventually adopted. It includes large block lettering at bottom and a country label at top, which was incorporated into the oval for the adopted design. The numbers at the sides are also severely truncated.
It is likely that the 1c and 2c designs were the first to be worked on, since these were the denominations with the greatest demand. These two denominations also have the largest number of different frame designs, though this is the only hand-drawn design for the 1c. The first plate numbers used were for 2c plates (Plates 1-10) and then 1c plates (Plates 11-15).
The ABN Co. contract to supply stamps expired on June 30, 1889. Sealed proposals for a new contract were accepted up to June 17, which did not require any artwork. Only two bids were submitted, one by ABN Co. and one for a much lower amount from Charles F. Steel. ABN Co. protested, noting that Steel's company did not meet the criteria for bidding. Steel's facilities were found not to be fireproof, so the bidding was opened again starting Sep. 11, 1889 (in reality, Steel was paid off by ABN Co. to fail to meet the requirements). The 1941 Brazer catalogue lists this as an essay for the 1889 contract, "circa July 17, 1889." We are unaware of Brazer's reasoning for attributing this to the earlier bidding process.
Ex Brazer. The Essay-Proof Journal noted in 1953 that Brazer exhibited this item at The Collectors Club. (Image)
Get Market Data for [United States 219-E2]
VERY FINE. A UNIQUE HAND-DRAWN WATERCOLOR ESSAY FOR THE 2-CENT 1890 ISSUE, DEPICTING THE DENOMINATIONS AT TOP AND OTHER SIGNIFICANT DIFFERENCES.
It is likely that the 1c and 2c designs were the first to be worked on, since these were the denominations with the greatest demand. The first plate numbers used were for 2c plates (Plates 1-10). These two denominations also have the largest number of different frame designs. There are four unique watercolor essays for the 2c, each with engraved vignette cut out and mounted in place.
The ABN Co. contract to supply stamps expired on June 30, 1889, sealed proposals for a new contract were accepted up to June 17, which did not require any artwork. Only two bids were submitted, one by ABN Co. and one for a much lower amount from Charles F. Steel. ABN Co. protested, noting that Steel's company did not meet the criteria for bidding. Steel's facilities were found not to be fireproof, so the bidding was opened again starting Sep. 11, 1889 (in reality, Steel was paid off by ABN Co. to fail to meet the requirements).. The 1941 Brazer catalogue lists this as an essay for the 1889 contract, "circa July 17, 1889." We are unaware of Brazer's reasoning for attributing this to the earlier bidding process.
Ex Brazer, but not offered in his sale -- the Essay-Proof Journal noted in 1953 that Brazer exhibited this item at The Collectors Club. With 1990 P.F. certificate (Image)
Get Market Data for [United States 220-E3]
Get Market Data for [United States 220-E4]
Get Market Data for [United States 220-E5]
Get Market Data for [United States 220-E8a]
Get Market Data for [United States 220-E8b]
Get Market Data for [United States 221-E2]
Get Market Data for [United States 222-E2]