German Reich, Essay continued...
| Lot |
Symbol |
Catalog No. |
Descrip |
Opening |
| 221 |
Essay |
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 1942 GERMAN GOLDSMITH'S CRAFT The motif was designed by the graphic artist E. Tischer. Photo essay of the final drawing of the 12+88 (Rpf) stamp.
(Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 222 |
Essay |
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 1942 GERMAN GOLDSMITH'S CRAFT Three single prints of the 12+88 (Rpf) stamp as a proof in an un-issued colour. (Image) (imagea)
(imageb)
 
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CLOSED
Closing..May-09, 01:00 AM |
| 223 |
Essay |
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 1942 GERMAN GOLDSMITH'S CRAFT Single print of the 12+88(Rpf) stamp as a colour proof in a green shade similar to the issued stamp. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 224 |
Essay |
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 1943 GERMAN GOLDSMITH'S CRAFT The motif was created by the graphic artist E.R. Vogenauer. For this print from the finished original die of the 12+88 (Rpf) stamp the steel printer used baryte paper. The mineral coating of this paper allows
prints of the finest quality. Only known copy. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 225 |
Essay |
|
 1944 GERMAN GOLDSMITH'S CRAFT The motif was designed by the graphic artist E.R. Vogenauer. These three two-colour single prints of the 12+88 (Rpf) stamp – showing different shades of colour – exist on this presentation carton of the
Vienna Staatsdruckerei. Impressive unique copy! (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 226 |
Essay |
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 DAY OF THE STAMP 1943 The first draft of Erich Meerwald shows considerable differences as opposed to the details of the second draft. This photo essay is unique. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 227 |
Essay |
|
 DAY OF THE STAMP 1943 Photo essay of the edited first draft. This second version shows a significantly more pleasing motif and “bolder“ inscriptions.
(Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 228 |
Essay |
|
 DAY OF THE STAMP 1943 A similar photo essay as offered under lot 227, this one perforated. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 229 |
Essay |
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 DAY OF THE STAMP 1944 Created for the occasion of the 1944 Day of the Stamp, photo essays of six different motifs for a commemorative stamp survived. The two designs “cornucopia“ and the “magnifying glass“ were immediately turned down by
the Ministry of Propaganda. „These motifs are not appropiate in times of the „Total War“. This judgment was correct as the „Grossdeutsche Reich“ was history only few months later. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 230 |
Essay |
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 Day of the Stamp 1944 Four photo essays – two different motifs. Differently presented on pieces of carton. Impressive documentation. (Image) (imagea)
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CLOSED
Closing..May-09, 01:00 AM |
| 231 |
Essay |
|
 Day of the Stamp 1944 Another for the Ministry of Propaganda completely inappropiate draft. Two different versions on small piece of carton.
(Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 232 |
Essay |
|
 25 YEARS OF GERMAN AIR MAIL SERVICE 1919-1944 From the sketchbook of Erich Meerwald: “Ideas quickly put to paper are helpful for further brainstorming.“ Indeed he integrated the two small figures and the post horn into the motif of the
later issued 6+4 (Rpf) stamp. These unique drawings from the sketchbook of Erich Meerwald are an impressive documentation of the earliest stage in the production of a postage stamp. (Image) (imagea)
(imageb)
(imagec)
(imaged)
 
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CLOSED
Closing..May-09, 01:00 AM |
| 233 |
Essay |
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 25 YEARS OF GERMAN AIR MAIL SERVICE 1919-1944 Photo essay of the motif which was used for the 6+4 (Rpf) value but showing the face value of “12+38“ (Rpf).
(Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 234 |
Essay |
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 25 YEARS OF GERMAN AIR MAIL SERVICE 1919-1944 Photo essay of the final drawing of the 12+8 (Rpf) stamp. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 235 |
Essay |
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 25 YEARS OF GERMAN AIR MAIL SERVICE 1919-1944 Photo essay of the final drawing of the 42+108 (Rpf) stamp. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 236 |
Essay |
|
 800 YEARS OF LUBECK 1943 The quite simple commemorative stamp was designed by A. Mahlau. The original draft depicted a fish with open mouth before and after the word REICH. For the later issued stamp this detail was dropped. The name of
the graphic artist A. MAHLAU is found under the design of the unissued version. His name does not appear on the stamp which was finally issued. 5 examples of the 10 photo essays which were originally in the „Fiscus“ holding are still in one hand. We
offer these five items as one lot. (Image) (imagea)
(imageb)
(imagec)
(imaged)
 
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CLOSED
Closing..May-09, 01:00 AM |
| 237 |
Essay |
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 800 YEARS OF LUBECK 1943 Photo essay of the issued motif. The fishes and the name of the graphic artist are now missing. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 238 |
Essay |
|
 800 YEARS OF LUBECK 1943 Three Proofs in different shades of blue. (Image) (imagea)
(imageb)
 
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CLOSED
Closing..May-09, 01:00 AM |
| 239 |
Essay |
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 800 YEARS OF LUBECK 1943 Proof in a red-brown shade. This single print in the colour which was used fort he print is UNIQUE. (Image)
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CLOSED
Closing..May-09, 01:00 AM |
| 240 |
Essay |
|
 UNIVERSITY OF KÖNIGSBERG The decision which shade of green had to be used for the printing of the “University of Königsberg“ commemorative stamp was made on June 24, 1944. The presentation carton with these four colour proofs went from
Berlin to the Vienna Staatsdruckerei. Thus the order for the production was initiated. Impressive unique item! (Image)
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CLOSED
Closing..May-09, 01:00 AM |
