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VERY FINE APPEARING COVER AND A SUPERB STRIKE OF THE NEW YORK CITY UNION SOLDIER'S HEAD FANCY CANCELLATION ON A HIGH-DENOMINATION 1861 ISSUE PAYING THE TREATY RATE TO ENGLAND.
The creation and use of this fancy cancel in the Spring of 1866 coincided with the return of soldiers from the Civil War. It is known on at least one domestic cover, but apparently the cancelling device migrated to the foreign-mail exchange office, where it was used to cancel stamps on mail to foreign countries. This explains why it is found on high values of the 1861-66 Issue, including the 10c, 12c, 15c, 24c, 30c and 90c denomination stamps off cover. Covers with this cancel are very rare, probably because European stamp collectors removed the high-value stamps from covers. We recently offered one to Italy in the Raymond Vogel collection (Sale 995, lot 2206, realized $32,500 hammer) and a 15c cover to Germany in the Artemis collection (Sale 1012, lot 32, realized $15,000 hammer).
With 1990 P.F. certificate. Ex Herzog, Wunderlich and Dr. Skinner. (Image)
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EXTREMELY FINE STRIKES OF THE UNION MILLS "KKK" SKULL AND CROSSBONES FANCY CANCEL. A PHENOMENAL RARITY.
Union Mills, Pennsylvania, was the source of several remarkable fancy cancel designs in the 1869-71 period, including the "KKK" Skull & Crossbones, Kleagle Mask (two versions) and the Horse in Hat designs. All indicate Ku Klux Klan activity in this Western Pennsylvania town during the immediate post-war Reconstruction period. John H. Beardsley was the postmaster for a brief period of time -- February 9, 1870, to March 16, 1871 -- which coincides with the creation and use of the Ku Klux Klan cancellations.
This is one of a small number of pieces salvaged from a correspondence. We know of three full covers with this cancel, one of which is in the Hirzel collection at the Swiss PTT Museum.
Ex Artemis (Image)
EXTREMELY FINE STRIKE OF THE UNION MILLS HORSE IN HAT FANCY CANCEL. ONE OF THE MOST REMARKABLE SUBJECTS AND DESIGNS WE HAVE EVER ENCOUNTERED.
The image of the horse in a human hat is rooted in the secret Society of the Horseman's Word in Scotland. The Ku Klux Klan, established in the defeated South after the Civil War, took its name from the clans of Scotland and used a highly selective view of Scottish history to support its philosophy. Some of the rituals of the Scottish fraternal organization were adopted by Klansmen.
Ex Haas, Dr. Robertson and Boker. Reacquired by Dr. Robertson in our 2008 Rarities of the World sale. (Image)
VERY FINE. A BEAUTIFUL STRIKE OF THE UNION MILLS, PENNSYLVANIA, KLEAGLE MASK FANCY CANCEL. THIS IS THE ONLY RECORDED EXAMPLE OF THIS PARTICULAR CARVING.
Kleagle is the title held by the Ku Klux Klan officer whose role is to recruit new members. Union Mills is most famous for its "KKK" Skull and Crossbones fancy cancel. Two versions of the Kleagle Mask design were used at Union Mills. This unique example surfaced in the late 1980's in a small postal history mail auction in the midwest.
Ex Dr. Robertson and Boker. Reacquired by Dr. Robertson in our 2008 Rarities of the World sale. (Image)
EXTREMELY FINE. THE ONLY RECORDED EXAMPLE OF THIS CORRY, PENNSYLVANIA, FRATERNAL CANCELLATION.
The letters in this cancel have previously been identified as "DGA" or Delta Gamma Alpha, but we are unable to verify if they are indeed those Greek letters, nor can we determine exactly what they represent. Nonetheless, this pyramid and three-letter inscription are undoubtedly meant to symbolize a fraternal organization, probably of Masonic origin.
Only one example of this fraternal cancellation is recorded. Dr. Robertson attributes this and other Corry fancy cancellations to James Guy Foreman, who became postmaster on September 20, 1867. James' father was postmaster from 1862 to 1867, and James worked with him in the post office during the last year or so. This cancel was used in August 1866 during that time.
Ex Grunin (Image)
VERY FINE. A CHOICE STRIKE OF THE CORRY WOMAN IN HEADDRESS FANCY CANCELLATION. AMONG THE FINEST OF THE HALF-DOZEN EXAMPLES KNOWN ON COVER.
This beautifully carved cancel depicts a woman's bust in profile, with her hair pulled back in classic Victorian-era style. It was carved by James Guy Foreman, the young postmaster, and one wonders if he modeled it after a local lady of interest.