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EXTREMELY FINE. THIS UNIQUE EXAMPLE OF A SKILLFULLY CHROMOLITHOGRAPHED DESIGN FOR SMITH & BROTHER BREWERS IS WIDELY REGARDED AS THE MOST BEAUTIFUL CLASSIC AMERICAN ADVERTISING COVER IN EXISTENCE.
This 1862 advertising cover, depicting three men toasting with Smith & Brother India Pale Ale, is one of the earliest examples of a chromolithographed American advertising envelope. It was printed by the well-known firm of Sarony, Major & Knapp, located at 449 Broadway in New York. This firm produced a wide variety of high-quality lithographic prints, sheet music covers and product labels during the mid-nineteenth century.
Napoleon Sarony worked as an apprentice for several lithographers, including Nathaniel Currier of Currier & Ives. Sarony left the lithography business in 1864 to become a photographer and earned fame as a pioneer in this field. Sarony succeeded Matthew Brady as America’s best-known portrait photographer and was especially renowned for photographing stars of the New York stage. His portrait of William T. Sherman was used for the first postage stamp to depict Sherman (the 8c 1893 Issue).
Chromolithography was a successful but expensive method for creating multicolored prints. The earliest American chromolithographs appeared around 1840. Other multicolor printing methods typically employed woodblocks or other forms of relief-printing material (one for each color). In lithography an image is applied to a smooth surface--in this period, usually a highly-polished limestone. After the image is drawn or transferred to the surface, the stone is treated to create areas that will hold ink and blank areas that will reject ink. The impression on a sheet of paper is left by the areas of the printing stone that retain ink. In chromolithography each color in the image is from by a separate stone, inked in the desired color. Simple and inexpensive color lithography uses two or just a few colors. High-quality chromolithographers, such as Sarony, Major & Knapp, used a greater number of stones to achieve subtle shade variations and tonal qualities. The envelope offered here is a prime example of chromothography, and it is unlike anything seen in advertising envelopes until decades later.
Ex Felder and Gabriel. With 2002 P.F. certificate (Image)
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EXTREMELY FINE. A BEAUTIFUL MULTICOLORED ROMEO AND JULIET VALENTINE DESIGN, WITH A BEAUTIFUL STAMP AND MARKINGS.
Ex "Sevenoaks". (Image)
VERY FINE. THE REED CENSUS ESTIMATES ONLY ELEVEN TO FIFTEEN ONE-CENT DOUGAN THE HATTER ENCASED POSTAGE STAMPS HAVE SURVIVED IN ANY CONDITION.
John A. Dougan sold his hats from a store located at 102 Nassau Street in New York City. The advertising legend on Dougan's encasements depicts a men's top hat, making them among the most distinctive and desirable of encased postage stamps. Dougan's store and $5,000 worth of goods were destroyed in a fire on December 12, 1878 (New York Times archive).
Ex "Summit" (Image)
VERY FINE. THIS KIRKPATRICK & GAULT ISSUE IS ONE OF THE FEW 30-CENT ENCASEMENTS IN ANY SORT OF COLLECTIBLE QUANTITY.
Joseph Kirkpatrick was a small-time munitions importer and president of the United States Dispatch Company in New York City. He became John Gault’s partner in the summer of 1862. According to research by Fred L. Reed III, Gault and Kirkpatrick probably met through a mutual business associate, William V. Barkalow. The Kirkpatrick & Gault encasements solicited Applications for Advertising on this Currency” and gave the 1 Park Place address.
The Reed census assigns an R-6 rating to the 30c Kirkpatrick & Gault (16-20 known). With clear 1987 P.F. certificate (Image)